Avenue Q (in London)

First, let me say that the only way this could have been more awesome is if it were "Avenue Z" because then the Brits would be calling it "Avenue Zed" and that would have sent me into a titter every time.

TheBrit and I went to see Avenue Q the weekend after I arrived back in London. I'd been wanting to see it for a while, but the main impetus was that it was CLOSING. (What?!) So we got tickets to see it the last week it was in town. (Much like when we went to see Spamalot... last week of showing.)

Since we saw it, it apparently became so much in demand that it's now on hiatus and will be re-showing in a new location starting June 1.

I don't know if TheBrit grew up on Sesame Street like I did (I suspect not), but the Muppet Movies were ubiquitous throughout the Western World. At least there was a bit of commonality there.

I seem to recall finding out when I was younger that Sesame Street was supposed to take place Small Town, New York. Stony Brook, or something like that. Someplace where there was still a small town feed, but a need for the brownstone type buildings. So, this was a bit like going to see Sesame Street's big city cousins (being located in Brooklyn).

The composition of the set was fantastic. I was half-expecting a bodego to stand in for Mr. Hooper's store (I'm dating myself here), but it was just an apartment block and the people (and muppets) that resided there. Kate Monster, Trekkie Monster, Princeton, Rod and Nicky, and Christmas Eve, Gary, and Brian. Two things struck me during the watching - the use of screens that gave the little PSA-type cartoons ... I don't remember that from my tenure of Sesame Street, though it may be happening now, and that when addressing the muppets the puppeteers and the human characters looked at the Muppet they were talking to, not to the actor.

The music was fantastic, and translated well to a London audience, most of who had limited exposure to Sesame Street. There were a few jokes or callbacks that were Ameri-centric and may have been slightly lost on the average Brit: Gary is Gary Coleman (whatchoo talkin' 'bout Willis?) and the development of a Monstersorri School...

Music, muppets having sex, the Bad Idea Bears (more booze, more fun, yay!), and the energy was just suck you off your seat awesome. The most amazing thing to me, though, was when the puppeteer for Kate Monster also had to do the voice for Lucy The Slut, the muppets were on two different people, but the voice actress ran the entire conversation. It took me a bit to realize it was the same person because I'd been sucked into the entire "the muppets, they're real!" world they created.

I think, though, that my favorite part was unintentional. The woman hired to play the role of Christmas was Chinese. The character of Christmas is supposed to be Japanese and limited to working in a Korean restaurant. (Though, they did change that line to something else because Korean restaurants aren't as prevalant in London as in New York.) [Edit: looked at the cast info for the London crew - either they've changed actors or I mis-read the blurb - she's Filipino, but has studied in China. Playing a Japanese woman. Who's mistaken for Korean. Awesome.]

It's strange. It's twisted. It's a great story that hits home if you're a muppet, a monster, or a human. Trekkie Monster's porn fixation is phenomonal. A song just for me ("Schadenfreude") was great. TheBrit and I went and found the Broadway soundtrack a day or so after seeing it. My singing Trekkie Monster's part during "The Internet is for Porn" caused him to almost fall off his chair with laughter (though that may have been me pelvic thrusting against him with such ferocity) and we now have a number of inside-joke-slash-catchphrases from seeing that show.

Go see it. If you don't, my only response can be... Whatchoo talkin' 'bout, Willis?